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image by Juan Manuel Villascan, 17 March 2006
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image by Juan Manuel Villascan, 17 March 2006
Here is a brief summary of what Perrin in British Flags and Giles-Scott in The Romance of Heraldry have written about the dragon.
A dragon was the standard of a Roman cohort which was a tenth of a legion. After the Romans left Britain it was used by both the Britons and the Saxons. A golden dragon was the principal war standard of the Saxons of Wessex, and was carried by them at the battle of Burford in 752. In the eleventh century battles the king positioned himself between his personal standard, which was the rallying point and the dragon standard which was carried by a standard bearer chosen for his strength and prowess. After the battle of Hastings the dragon standard was adopted by the Normans. No record of its use in Scotland after the battle of the Standard in 1138,where it was borne as the Scottish royal standard. A dragon standard was taken on the Third Crusade by Richard I in 1191. A dragon was borne by the English army at the battle of Lewes in 1216 and later Henry III had a dragon standard made to be placed in the re-built Abbey at Westminster. Used by Edward I, Edward III at the battle of Crécy 1346, Henry V at the battle of Agincourt 1415, and at the battle of Bosworth in 1485, after which it was carried in state to St Paul's Cathedral. Henry VII displayed the red dragon of Cadwallader, from whom he claimed descent, on the Tudor colours of white and green. Until this time it was probably golden. The supporters of the English royal arms were a lion and a dragon, but the latter was replaced by a unicorn for Scotland by the Stuarts. The dragon reappeared briefly as a supporter of the arms of the Commonwealth under Cromwell.David Prothero, 28 January 1998
The origins of the Welsh Dragon were undoubtedly the Roman "draconi" standards of the cohorts, which were far more numerous than the legions, particularly after the gradual withdrawal of the latter. "... the people who were left behind when the legions withdrew forever must most naturally have thought of the Dragon as the symbol of that Roman civilisation to which they belonged and which they were now defending against the ravages of the barbarian invaders. It is generally agreed that resistance to the Saxons was first organized by Romans, or Romanized Britons, presumably on Roman lines ... For their battle standard no emblem was more natural than the familiar Dragon of the Roman cohort."
"The Welsh, as a distinct people, may be said to date from about the seventh century, when the advance of the Saxons to the Bristol Channel and the Mersey isolated them from the rest of Celtic Britain. The 'Historia Brittonum,' of about 800 A.D. (traditionally ascribed to the scholar Nennius), which drew on earlier sources, described a Red Dragon as the symbol of the British people in their wars against the White Dragon of the Saxons. ... Early in the Welsh literary tradition, in the tale 'Lludd a Llefelys,' this Red Dragon is associated with Merlin, who gives counsel to the earliest kings in Briton."
"From the very first records of the Welsh language the words 'draig,' 'dragon' mean 'warrior' and great warriors are referred to as 'pendraig,' 'pendragon,' i.e. 'chief dragon'."
"The only thing that remains unclear about the early British dragon is its colour. According to Nennius, the dragon of the Britons is red. ... The national dragon of Mediaeval Wales may be red, or firey, or golden. ... It may be that his colour was not yet fixed, though he was thought to resemble fire, his most natural element: for the colours, on those occasions when colour is mentioned, are those appropriate to fire, and never any other."
"While the warriors, chiefs and princes of Wales were constantly called 'dragons', we do not have any clear evidence to prove that they ever used a dragon, let alone a red dragon, as a military standard at any time before the fifteenth century. It is perfectly likely that it may have happened, but the literary and historical documents which we have contain no unambiguous reference to the use of a dragon banner by Welsh resistance fighters until 1401."
"The arms of Llewelyn's [the Last, proclaimed the first Prince of Wales in 1258, died 1282] father, Gruffudd ap Llywelyn Fawr [of the royal house of Gwynedd], were sketched by Matthew Paris (died 1259) and they show, quarterly or and gules (i.e. gold and red) four lions passant counterchanged. ... there is no dragon in the arms of Gwynedd. ... there is more reason to suppose that Llywelyn fought under the traditional Lions of Gwynedd, like other leaders of Gwynedd both before and after him, up to Owain Glyndwr and the Tudors."
An "englyn" written at the time refers to Llywelyn and his army, "There is my lord Llywelyn and tall warriors follow him; a thousand, a host in green and white."
"These are the colours in which the Black Prince, Edward of Woodstock, was to dress his Welsh contingent at Crécy in 1346: these men were, as D.L. Evans remarked, 'the first troops to appear on a continental battlefield in national uniform.' Thus, by the middle of the fourteenth century, green and white appear to have been understood as the national colours of Wales; they were to be used later by Henry Tudor as the field for the Red Dragon, and they remain to this day the colours of the national flag, upon which the Red Dragon is set."
"Owain Glendwr, ... in 1401-04 succeeded in conquering virtually the whole of Wales."
"One of the earliest great successes of his career was his siege of Caernarfon (2nd November 1401), at which he unfurled his banner, displaying a golden dragon on a white field, as the chronicler Adam of Usk records: 'in multitudine glomerosa vexillum suum album cum dracone aureo ibidem displicuit'."
"From 1404 onward we hear no more of Owain's use of the dragon emblem. It seems that, having become established as Prince of Wales and successor to Llywelyn, he now preferred to display the Lions of Gwynedd."
"Throughout the Middle Ages the colour of the Dragon fluctuates between gold and red. This, like so much else, is a legacy from Geoffrey of Monmouth, for while the dragon of the Britons seen by Ambrosius is plainly red ('rubeus draco'), the one displayed by Uther Pendragon [legendary father of Arthur] is gold ('vexillum, aureus draco'). The princes of Gwynedd, whose family colours were red and gold, had no reason to prefer one colour to the other."
Jasper, son of Owain Tudor (along with his brother Edmund) used "a red blunt-tailed dragon" as crest and supporter to his arms and on his seal. He "campaigned long and hard, leading the Welsh Lancastrians against the Yorkist English king. Though repeatedly driven into hiding or exile, he showed great resilience and kept returning to the attack. He earned great praise from the poets ... Deio ap Ieuan Du (c.1460-80) refers to Jasper's patriotic struggle when he produced the line which was later to become famous as motto of the nation: 'Y draig coch, ddyry cychwyn' ('the Red dragon advances')."
"When Henry Tudor [Jasper's nephew] with his allies faced King Richard III at Bosworth [1485], one of his three battle standards showed 'a red firye dragó beaten vpó white and grene sarcenet'. ... After his victory Henry rode with these three standards to St. Paul's cathedral in London, where they were blessed: they are described thus in the 'Chronicle of London', referring to 27th August 1485:
oon was of the Armys of Seynt George, the secund a Red ffyry dragon peyntid upon white and Grene Sarcenet, and the third was a Baner of Tarteron bett wyth a dun cowe.
Thus, side by side, Henry honored St. George of England, the Red Dragon of Wales, and the family arms of the Lancastrian house of Beaufort. Another chronicler tells of Henry's standard showing a Red Dragon passant, breathing flames, upon a field divided horizontally green and white, with a background of flames, white and red roses and golden fleur-de-lis."
"In Wales, where the red dragon has long been keenly felt as a national symbol, it could not become the emblem of any single princely family." There is no dragon in the arms of Welsh nobility of the fourteenth century, and this has not changed subsequently. ... Owain Glendwr used it only temporarily, and even the Tudors used it only as a supporter." It was also used as a supporter in the arms of the commonwealth.
"In 1807, after the union of the parliaments of Great Britain and Ireland, it was declared that 'a red dragon passant standing on a mound should be the King's badge for Wales'."
"... in 1953, Queen Elizabeth II decreed that the royal badge for Wales should be augmented, and to its red dragon there was added the famous motto 'Y ddraig goch ddyry cychwyn'. This augmented badge was placed on a white flag and flown over government buildings on appropriate occasions. But in 1958 the Gorsedd of Bards expressed the wish that the Red Dragon flag be recognised as the national flag of Wales, instead of this augmented badge. Accordingly, in 1959 Her Majesty commanded that in future 'only the Red Dragon on a green and white flag should be flown on Government buildings in Wales and in London where appropriate'. The augmented badge was to continue in use for other purposes, i.e. for its display as a badge in accordance with established heraldic procedure."
"The red dragon, from early times, has been the national symbol of Wales -- at rugby stadiums and battle-grounds; as royal heraldry and as newspaper logos. Today, the flag is held proudly as a mark of national identity and a reminder of a colourful and prestigious history."
Dave Martucci, 28 February 2000
It is far too early to talk about national emblems at this period of
history, though, and what arms and banners did exist were connected with
the ruler and his family rather than with the nation.
Stephan Hurford, 28 February 2000
I seem to remember that the reason was also due to the battle between the Red
Dragon and the Blue Dragon. This was portrayed at the Cardiff Garden Festival
some years ago and given as the reason for the Red Dragon of Wales.
Dave Davies, 13 March 2003
White, I think, not Blue. This was most recently referred to publicly at the
enthronement of the new Archbishop of Canterbury, Dr Rowan Williams, who is
Welsh and the former Archbishop of Wales. See
http://www.archbishopofcanterbury.org/events/vestments.html under Morse
(clasp).
André Coutanche, 13 March 2003
I recall the Arthurian legend about the birth of Merlin, in which he
prophesized a battle between a red dragon and a blue one. The blue one won,
symbolizing how an evil Saxon king would be defeated by his Celtic enemies. Of
course, this can all change depending on which side (Celtic vs. Saxon, Saxon vs.
Norman/Viking, Celtic vs. Roman, Christian vs. pagan) you say Arthur was on.
Nathan Lamm, 13 March 2003
I have just been watching the recent BBC A History of Scotland presented by
Neil Oliver. The programme displayed a dragon flag, which from what I could see
had its tail presented to the staff but I'm unsure of how its head was pointed,
e.g., was it regardant ? Neil Oliver was emphatic about it being a signal of
giving no quarter and that it was a red dragon on white but the only reference I
can dig up is the following which agrees with the facts stated in the programme
but doesn't emblazon the flag. Since Edward 1st had just recently conquered
Wales it is tempting to wonder whether this was a bunch of Welsh in his
service...
http://www.footprintpublishing.co.uk/history.html : In February 1306 Robert
Bruce, Earl of Carrick, assassinated his main rival John Comyn at Grey Friars
Abbey and declared himself king of Scotland. His grandfather Robert de Bruce was
one of the claimants to Scottish throne in 1291 and now he had revived that
claim. He was crowned king on the 25th of March 1306 at Scone. His crowning
divided the Scottish nobility and when Edward I – also called Longshanks and
Hammer of the Scots, sent his General Aymer de Valence to 'Burn and slay and
raised the dragon'. The raising of the dragon flag signified no quarter to be
given – many of them fought on the side of the English.
David B. Lawrence,
21 January 2009
My understanding of Medieval warfare is that the rank and file of a defeated
army (that is if they didn't change sides of course) were routinely slaughtered
in any case, whereas the knightly class could expect to be held for ransom if
they were unfortunate enough to be captured? That aside however, my instinctive
reaction is that any display of a dragon flag could have had as much to do with
English tradition as it had with Welsh, although I have never heard it used as a
symbol of no quarter being offered?
One should, perhaps, remember that the
Anglo Saxons very possibly adopted the dragon flag via the defeated (except in
Wales) Britons, who in turn (equally very possibly) adapted the Ancient Roman "draco"
for their own use? And that (as far as I am aware) the first recorded use of
such in these islands was when it was employed by Alfred the Great of Wessex in
the eighth century - not forgetting it being flown (if the Bayeux Tapestry is to
be believed) by King Harold at the Battle of Hastings.
Christopher
Southworth, 22 January 2009
The existence of the flag seems to rest on a passage in John Barbour's 'The
Actes and Life of the most Victorious Conquerour, Robert Bruce King of
Scotland', a poem-history written in c.1375, i.e., seventy or so after the
events it is supposed to be describing. Barbour's history was written in support
of the Bruce-Stewart dynasty and their claim to the throne (see
http://www.enotes.com/classical-medieval-criticism/barbour-john and
http://en.wikipedia.org/wiki/John_Barbour_(poet) ); it perhaps follows that
their enemies (in this case the English) are deliberately blackened to enhance
the reputation of the Scots.
But personally I would like to see more
contemporary sources in support of the existence of the flag. I had a quick look
at the Oxford English Dictionary - there are a couple of references to dragons
as standards or flags, one in 1297, and another in 1330; but both appear in
histories and refer to either the Anglo-Saxons or King Arthur, i.e., not to the
then contemporary English army. The word 'dragon' has been used to mean fierce,
or even devilish / satanic - so Barbour may have been employing a poetic
metaphor, rather than referring to an actual flag.
Ian Sumner, 22
January 2009
I am inclined to agree Ian, in that Barrow could very well have been drawing
inferences that simply were not there, and that Barbour could just as easily
have been using the phrase as a poetic metaphor for "give them hell" or its 14th
Century equivalent. It is indicative is it not, that whilst existence of the "baucan"
(a plain red streamer) for use at sea with the meaning of "no quarter" is well
documented, there appears to be no reference at all (other than that of Barrow)
to a "dragon flag" with this same meaning on land?
Please correct me if I
have this wrong, but as it presently stands all we seem to have is one man's
interpretation of a single (and possibly) partisan passage which is, in any
case, capable of alternative connotation?
Christopher Southworth, 22
January 2009
![[Standard of Henry Tudor]](../images/g/gb-hvii.gif)
by Dave Martucci, 13 July 1998
I came across a line drawing of the standard of Henry VII (Henry Tudor)
as sketched about 150 years later. The colors were indicated by abbreviations.
The border is 'murry' and blue. Murry is supposed to be between red and
purple but I'm not sure of it exactly. Also the color of the motto was
not indicated, so I am using gold, but who knows?
Dave Martucci, 13 July 1998
Standards of such patterns, often richly endowed with heraldic badges,
were quite common among noble families in the period. What we call the
'royal standard' is really an armorial banner. Originally banners and standards
were separate classes of flag. I believe the modern Welsh flag is directly
derived from the Tudor standard.
Roy Stilling, 14 July 1998
Dragon Standards were used in the later Dark Ages and early Middle Ages as a visible statement that no quarter (no mercy) would be given or expected. That is, 'No Prisoners'. Whether this has any connection to the Welsh Dragon I do not know... As far as I know the Welsh Dragon was the personal badge of the High King of the Romano-Britons, who was also known as the 'Pendragon' (German translation of Oberdrachen or Over-Dragon is as good an explanation as any). Dragons are of course very popular in mythology and legend and the whole 'Pendragon' thing is very much mixed up in Arthurian legends, and it is hard to say how much is historically accurate.
As far as Roman standards are concerned, the Eagle of the Legion was also adopted on a large scale, (see Army, Air Force, Arms) not only in Britain, so it is to be even more expected that the Dragon of the Cohort was adopted, because cohorts, unlike Legions, could also be exclusive to a local area - an example might be the Xth (Gaulish) Auxiliary Cohort - and the men of this cohort, after being demobbed, might well take the symbol home with them.
Anyway, I'd like to add I'm more inclined to believe that Dragon
standards have an even older origin than the Romans, in Britain
or Germany, when one considers the prevalence of 'dragon-
slayer' myths, it is likely that some of these old heroes adopted
the dragon as their symbol.
Calum Slinn, 5 April 2000
From "The Literary and Historical Legacy of Iolo Morgannwg 1826-1926" -
Marion Loffler - University of Wales Press - 2007
page 165
10.
The Grand Eisteddfod of Llangollen 1858
(from Cambrian Journal V
(1858) 262, 265-272)
(page 166) ... Here a spacious pavilion was erected
... the three front gables being decorated by three flags respectively of the
bardic colours, blue, green, and white, and bearing the inscriptions ' Heddwch
', ' Gwybodaeth ', ' Sancteiddrwydd ', the attributes of the three orders. ...
Over the president's seat was the red dragon of Wales, with the motto, ' Y
ddraig goch a ddyry gychwyn ', painted on canvas, by Mr Thomas Jones ( Taliesin
o Eifion) Llangollen. The figure of the dragon was no less than five or six feet
long. On the other side of the pavilion, immediately opposite, was an elegant
blue banner, bearing the sacred emblem, with the mottoes of the British Gorsedd
and Powysian Chair, wrought in gold letters, very prominently set forth, ' Y
gwir yn erbyn y byd ', ' A laddo a leddir '. ...
(page 167) ... The
procession marched through the town, and thence to the spot known as the Green,
in the following manner ; -
Standard bearer, carrying the banner of the
Red Dragon of Wales.
Brass Band.
Blue flag of the bards.
White flag of
the druids.
Bards, druids, and ovates, bare-headed, and in costume.
Green
flag of the ovates.
People four abreast.
As the procession wended its
way ... Many of the houses were decorated with flags. ... The band played ' The
March of the Men of Harlech ', and other appropriate Welsh airs. ...
(page 172) ... [ THE EISTEDDFOD ] ... Those just graduated wore merely a ribbon
tied round their arm, of either blue, white, or green, according to their
degrees. There were several others, ladies and gentlemen, on the platform, some
of whom were in full costume, as Dr Price, who wore a truly patriarchal beard,
and was attired in a green jacket suit trimmed with scarlet, and a primitive
fox-skin cap. Miss Price, daughter of Dr Price, also wore a fox-skin head-dress,
and a scarlet habit. ...
David Lawrence, 6 March 2016
![[Flag of Cardiff and District Women’s Suffrage Society]](../images/g/gb_cwss.jpg)
image located by David B. Lawrence, 10 January 2017
I found this http://www.vads.ac.uk/large.php?uid=78550&sos=2%c2%a0 particularly interesting, referring as it does to the Bristol Women’s Reform Union –not a name that will be very familiar even to close students of the suffrage movement – which is why it is rather exciting to see its existence given credence by this design. The society had been founded in the early 1900s by Anna Maria and Mary Priestman from Bristol – radical liberal, Quaker campaigners – whose involvement went back to the very first years of the suffrage movement. The Reform Union existed in parallel to the main suffrage society in Bristol, but aimed to set the question of the suffrage in the context of wider social reform. It finally amalgamated with the Bristol NUWSS society in 1909.
Also at
https://womanandhersphere.com/2014/11/26/suffrage-stories-an-army-of-banners-designed-for-the-nuwss-suffrage-procession-13-june-1908/cardiff-1908-banner/,
the Cardiff banner (courtesy of Cardiff University Special Collections and
Archives).
Next came Cardiff – one newspaper reporting that the ‘Dragon of
Cardiff excited general attention’. There is no design for Cardiff in the
Lowndes album it is more than likely that it was made by members of the
newly-formed Cardiff and District Women’s Suffrage Society and is the one that
has now (in 2016) been donated to the Special Archives and Collection of Cardiff
University (for the full story see
https://scolarcardiff.wordpress.com/2016/03/08/cardiff-banner-comes-home/).
David B. Lawrence, 10 January 2017
